A talented young pupil named Bridie has joined us this week for her work experience. We asked her to write about something she liked and Bridie has chosen to look closer at some of the stunning work in the Artwork 2019 exhibtion, which you can see for yourself until Saturday 8 February and in 20 Years of the Friends Purchase Prize, on until Saturday 18 April. Plan your visit here.
If you would like to apply for work experience at Buxton Museum and Art Gallery, email email@example.com, introduce yourself and tell us what you’re interested in. We can’t guarrantee a place but we will try our best.
Over to you, Bridie:
Not only does the museum display an incredible range of historic artefacts surrounding our area and resident history, but they also include not one, but two fantastic galleries, equally proffering a multitude, and clear variety of artworks by local artists and more.
A few of my personal favourite pieces from the student’s work in Gallery 1 include:
Anthony by Nicole Broadhurst
This piece exudes a strong understanding of light and colour, through its use of oils on the canvas. The anatomy and textures also add to the ‘strong’ look of this piece, clearly presenting a finalised and well-executed artwork.
Marine Inspirations by Year Ten Pupils
The multiple sea-life inspired ceramics are very interesting to view, due to the expressive range within the display case, and how each student has chosen to interpret the idea surrounding ‘sea-life’. My personal favourite was a well-textured, almost skeletal looking fish with a colour contrast of blue and orange.
Cityscape Silhouette by Chloe Foster
Black and white allow this piece to present the amazing amount of detail gone into it, with clear-cut use of the black paper, and simple canvas, this ‘Cityscape Silhouette’ almost appears to be a finely detailed painting.
However, Gallery 2 also offers some fine pieces of work within its current showcase, some of my favourites being:
Collapsing Barn by Clare Benson
Awarded the ‘Friends of Buxton Museum and Art Gallery Prize at the 2013 Derbyshire Open Art Competition’, this oil-pastel painting combines a clear understanding of perspective, with an excellent eye for colour. The presentation of rust on the barn stood out to me as an interesting and aesthetic technique too.
Eyam Hall by Leri Kinder
This watercolour-based artwork was awarded the same prize as ‘Collapsing Barn’, only in 2016 instead. I really enjoyed the painterly techniques employed within this piece, as the lack of excessive strokes created a wonderfully simplistic yet visually-appealing image.
Gritstone VII by Peter H. Gill
While small, this mixed-media creation beautifully defines its shapes and textures in order to illustrate the idea of a rock formation. Colour contrasts with the light, aquamarine blues and deep, muddy-reds also express a similar ‘vibe’, coming across as a stunningly-stylised artwork.